Directed by: Michael Bay
(Transformers and Bad Boys)
Written By: Paul Wernick,
Rhett Resse.
Starring: Ryan Reynolds,
Melanie Laurent, Corey Hawkins, Manuel Garcia-Rulfo, Adria Arjona, Payman
Maadi, Ben Hardy, Dave Franco.
Budget: $150 million
Genre: Thriller/Action
Can we start with the bad
things?
Let me tell you what other
critics might shy from talking about in the opening lines of their review of
this film: THIS IS AN AMERICAN REMAKE OF MONEY
HEIST. I don’t care how long it has been in the works; that’s all I can see
in the first 20 minutes of the film. Now that we got that out of the way, wait…
before we get it totally out of the way, let’s talk about the uncanny
similarities between 6 Underground
and the also ambitious Netflix-distributed Money
Heist in one sentence: a band of
misfits who are infectiously intelligent and criminally wired, having each
member handpicked by a nebulous leader imbued with a strong sense of noblesse
oblige, become modern day daytime vigilantes, clad in questionable costumes
& masks, with a goal to get the mission done, retreat to a nondescript boat
because the police never searches the sea, and not know or call each other by
their real names in order to suffocate every attempt at connection and wipe the
word family out of their respective
dictionaries which inevitably proves futile because at the end of the day, team
members want to introduce themselves to each other’s mothers. Ew.
We can’t move on without passing
judgment on the very contentious first 20 minutes. I’ll have you know it is
extremely flashy, transformerly
destructive and missed a lot attempts at recreating Baby Driver, the Mission
Impossible franchise and any Jason Statham movie.
Now, can we talk about the
good/best parts?
It is riotously funny… oh my
God it is funny. As much as Ryan Reynolds’ quipppings are enjoyable, so are the
action scenes. The world owes Michael Bay (director) a debt. Never have I seen
sooo many cars destroyed and people dying in adroitly coordinated sequences
that sucks the air out of you but sprinkled with OMG moments to let you breath.
Oh wait, I saw Mad Max: Fury Road. Sorryyy.
One of the film’s ticked boxes
is to pick out the numerous action tropes in the movies it hopes to surmount
and throw them at the wall. Who better to do that than the a-hole with a mouth
Reynolds? Just that the movie forgets itself sometimes and perpetrates the same
evil it criticizes. I mean, why must there always be a kid standing in the
middle of a war zone, not running or hiding, just standing there like a fudging statue and needs to be saved by
the protagonist who will then proceed to have a wider perspective on war and
its shenanigans?
In similar Money Heist fashion (Okay… I’m sorry, this is the last time), one
team member wants to know what drives the leader and who he is. Well, he is a
billionaire, allegedly. And the rest of his history is up for interpretation by
viewers, just like every other member’s. The film doesn’t even try to establish
believable backstories, but since it spends all of it energy (and budget) in
making that first 20 minutes look like 10 other films, who cares? The brain
likes patterns.
So how was it, you ask? Was it
enjoyable? Ab-so-lutely.
7/10.
This is a first of many random but longer film and TV reviews hitting this platform. Leave a comment on anything relating to this (views, suggestions and additional criticism) and follow me for updates. It’s about to get hot in here. Stay Blessed.

Comments
Post a Comment